The Hollywood Reporter: Victims of Hollywood's Blacklist

Source:The New Democrat

I don’t think there’s anything more Un-American and Un-liberal democratic as punishing people simply because of what they believe and their politics. But that is what the U.S. House of Representatives decided to do in 1946-47 and they had a bipartisan coalition to do that. And they had help from the Hollywood industry itself to try to stamp out as people that they saw as Un-American because they had socialist if not communist leanings. These actors, writers, directors and other people weren’t punished because they were doing bad jobs. But because they believed in a more socialistic and collectivist society for America.

It's one thing to disagree with one’s politics and I’m certainly not a Socialist or a Communist and how supporters talk about communism I’m having a hard time telling the difference between communism and socialism. But it’s another thing to say that person or those people are bad simply because they believe there shouldn’t be rich or poor and that we need a more collectivist society and economy where everyone can do well and where there is no rich or poor. They weren’t talking about tearing down the liberal democratic form of government in America and replacing it with an authoritarian state.

If you truly love America and what we stand for as a country, then you love and believe in Freedom of Speech with almost no exceptions. The right for people to believe, think and say what they believe. Without it costing them job opportunities simply because of what they believe. Doesn’t mean people can’t be questioned, criticized and even contradicted over what they believe because that is part for free speech and debate. But you simply don’t blacklist people can cost them jobs simply because of their political beliefs. You judge them based on how good they are for the job that they are a candidate for and their qualifications for that job.

Matthew Hormann: The Hollywood Ten (1950)

Source:The New Democrat

I don’t want to sound overly partisan here, but this was one of the ugliest anti-American, anti-liberal democratic, illiberal periods in American history. Where Americans were judged by who they associated with and political causes they supported and political candidates they may have endorsed in the past. Instead of being judged by their character and how they conduct themselves and the jobs that they do and what they contribute to America. And this period of the late 1940s early 1950s look like how elements of today’s so-called Tea Party treat Americans that don’t believe the way they do and share their culture and political values.

This period between 1947 or so when Republicans won back Congress both the House and Senate up until Senator Joe McCarthy’s so-called investigation of supposed Communists in the U.S. Government is Ann Coulter/Rush Limbaugh or Mike Savage Neoconservative Utopia. They accused Americans of supporting things that they claim that they don’t. Which is fascism and telling Americans that they disagree with politically that they are Un-American simply for exercising their constitutional rights of Freedom of Assembly, Speech and Thought. As well as privacy which has never been popular with the Far-Right in America anyway.

People in Hollywood were simply denied jobs and the ability to earn a living simply because of who they may have associated with in the past and political candidates they may have endorsed. Not because of movies that they made or roles that they played and how they played them and how they made movies. But what they did in their personal and free time. Endorsing political candidates that members of Congress both in the Republican Party and Democratic Party and executives in Hollywood saw as dangerous. And this is one of the ugliest periods in American history both in Hollywood and in the U.S. Congress.

Jnuss Bau: The Hollywood Blacklist (1947-1960)

Source:The New Democrat

The late 1940s and all the way up to at least the mid-1950s or so was one of the most fascist illiberal and anti-liberal democratic periods of our time. I think elements of today’s Tea Party and the Ann Coulter’s of the world would’ve loved to be alive back then. Because it was a time when an American could be perceived as being a bad person simply because of who they may have associated with in the past. Especially if you were on the Far-Left in America and at the very least had socialistic and communistic leanings as far as what people like that would want to accomplish for America. A more collectivist and equal society.

This is not what America is supposed to be about. We are supposed to be that liberal democracy liberal society free society that the rest of the world wants to mimic. Where everyone has the right to be themselves and believe in what they believe whatever that they may be and be able to associate with whoever they choose to just as long as we aren’t hurting any innocent people with what we are doing. But if you were around back in the late 1940s and 1950s and you were an adult and you were somewhat Far-Left politically and you worked in Hollywood, that is not the type of country that you saw. You saw a country where you could be viewed as guilty and immoral simply because of people you associated with and your political beliefs.

We're there Socialists and Communists in Hollywood back then, I’m sure there were and probably still today. At least when it comes to Democratic Socialists especially if you look at a lot of Hollywood’s political films. But just because someone’s political views are out of the American mainstream and puts them on the Far-Left or Far-Right in America doesn’t automatically make them bad people. And it shouldn’t cost them jobs either. Which is what happened to the Hollywood Ten back then members of the movie industry who lost jobs and whose reputations suffered simply because of their political views. Or their perceived political views, or people that they associate with, or had associated with in the past.

BBC: 'The Rise & Fall of Tony Blair'

Source:Trond Repato- Tony Blair apparently meeting New York City Mayor Rudy Giuliani. Don't ask me when and where.

Source:The New Democrat

"The Rise and Fall Of Tony Blair 2007 06 23 Part 1" 

From Trond Repato

The rise of Tony Blair I at least believe has to do with how he reformed the British Labour Party as Leader of the Opposition in the 1990s before becoming Prime Minister. 

When the Labour Party lost power in 1979 to the Conservative Party, the British economy was in bad shape because it was over-centralized, the economy was over-centralized and was too socialist with the U.K. Government owning so much of the economy and trying to run British industries themselves. The U.K. Government by 1979 owned something like seventy-percent of the economy.

When Tony Blair became Prime Minister in 1997 and the Labour Party which was New Labour took over they didn’t move to renationalize industries and perhaps nationalize British industries that weren’t under government control and ownership before. 

Blair Labour  didn’t reform the British welfare state by saying that people who were physically and mentally able to take care of themselves and work, no longer had to do that if they even if they were uneducated. He kept in place a lot of Prime Minister Margaret Thatcher’s economic polices in place instead. And perhaps offended a lot of people in party who were much further to the left of him by doing that.

New Labour is Tony Blair and Tony Blair’s creation. They were out of power for eighteen-years from 79-97 because the British people remembered the state of the economy when Labour left power in 1979. And they also remembered how the British economy finally took off and became the economic power that it is today in the late 1980s and early 1990s. And didn’t want to put Socialists in power that try to take the country back to where it was in the late 1970s. 

So Tony Blair’s challenge when he became Leader of the Labour Party in 1994, was to change the perception of the Labour Party so it was no longer seen as Marxist, so socialist and central government oriented.

Tony Blair is a student of Bill Clinton and the New Democrats in America. Someone who didn’t want to transform his party into a conservative party. But someone who wanted his party to be a center-left party and not a far-left party. Someone who wanted to use government to empower people to be able to take control over their own lives and live in freedom. And not have to live off the welfare state or be forced to live off of the welfare state indefinitely. Blair wanted his party to be seen as a party that would defend the country and protect everyone’s freedom. And was very successful in doing that.

The Notorious Landlady (1962) Starring Kim Novak & Jack Lemmon

Source:HD Retro Trailers- Hollywood Goddess Kim Novak starring in The Notorious Landlady.

Source:The New Democrat 

"The original trailer in high definition of The Notorious Landlady directed by Richard Quine. Starring Kim Novak, Jack Lemmon, Fred Astaire and Lionel Jeffries."  

From HD Retro Trailers

Source:The New Democrat- Kim Novak and Jack Lemmon.

Kim Novak similar to Diana Dors in The Unholy Wife is the perfect woman to play a murder suspect because she’s so cute and sweet. It is hard to believe she’s capable or hurting anyone let alone killing someone. 

Only in The Notorious Landlady the Kim Novak character is innocent and what happened to her husband no one actually knows. The Diana Dors character in The Unholy Wife is guilty of murdering at least two people. 

Jack Lemmon plays an American diplomat in London who has just arrived there needing a place to live while he’s in Britain. Kim Novak is also an American, but now living in England who owns an apartment house. It is basically a large house with a flat upstairs.

Bill Gridley (played by Jack Lemmon) finds the house and asks if he can rent the apartment there that is vacant. Not knowing that the woman who owns the house is a murder suspect. She is very protective of her and her home and very specific about who she wants living there. And try’s to scare off Bill with a phony English accent that Kim does very well in the movie, but is unsuccessful and eventually gives in. 

Once they figure out that are both are American, they hit it off. Bill’s boss at the U.S. Embassy in London finds out where Bill is living and who owns the house and bring in Scotland Yard. Because they believe she murdered her husband.

Bill similar to me can’t believe that this woman that he’s now renting a flat from and is in love with is capable of murdering anyone. Even though Scotland Yard and his superiors believe she’s guilty and basically spends the rest of the movie trying to prove that she’s innocent. Even though he has his own suspicions about who is the real killer and is Mrs. Hardwick (played by Kim Novak) is completely innocent in this case. 

This is not a great movie or a great comedy, but Kim Novak is great in it and looks great in it. And Jack Lemmon is his usual funny, charming self.

Columbia Classic's: Pushover (1954) Fred McMurray & Kim Novak Star

Source: Columbia Classic's-

Source:The New Democrat

“Money isn’t dirty, just people are”. One of the better lines from Pushover delivered by the great Kim Novak who was great at delivering lines because she had a great voice and came off as so real because she was so real. She acted as if she was the person she was playing and delivered the lines not as an actress, but as if she was the person she was playing. I’ve at best seen bits and pieces of Pushover and saw the whole movie last night in preparation for this blog. And I was very impressed and saw a great crime drama involving real people and how they deal with bad situations.

Pushover starts off as being about a police stake out of a girlfriend of a bank robber that the police are after. Who stole two-hundred-thousand-dollars from a bank. They believe the girlfriend played by Kim Novak might be in on the operation or at the very least knows about it. And that her boyfriend is going to see her and perhaps tell her what he knows and where to meet her and all of that. Fred McMurray plays either a police sergeant or senior detective on this case who is leading the stake out and only has a police lieutenant to report to. He meets the girlfriend on purpose and they hit it off immediately.

Lona played by Kim Novak figures out that Paul Sheridan is a cop and has been investigating her. And he confesses to that and tries to get her to go downtown with him to tell the police what she knows about the bank robbery. She refuses and instead suggests that they get the money and split it and run off together. Paul refuses Lona’s offer strongly at first, but also wants to protect her from her boyfriend and the police in the stake out and tells her about the stake out and how to behave. How to answer the phone and how to talk to people and when to leave her apartment and everything else.

Paul finally gives in, but without a strong push from Lona. And now they are completely working together during this stake out that Paul is supposed to be leading as the senior detective or sergeant on the case. And now they are working together and just trying to buy time and not get caught and figured out while Paul’s men on the case are getting more suspicious of her and want to know what she knows about the case. Paul starts off as a good cop in the movie, but falls in love with the target he’s supposed to be investigating and the case goes bad from there.
Source:Columbia Classic's:

The American Prospect: Paul Starr: The Crash of The New Republic

Source:The New Democrat

I would put it differently and if I was writing for The American Prospect, well if I was writing for The American Prospect, they probably wouldn’t of published what I have to say about The New Republic, because I wasn’t backing the party line. But for the sake of this piece had I wrote this article at The Prospect about The New Republic I would’ve put it differently. I probably would’ve called it The Death of The New Republic: How Chris Hughes Killed a Great Liberal Magazine. And he did it a couple of ways.

Chris Hughes took a great center-left liberal magazine, not a far-left more social democratic oriented magazine like The Nation or The New Republic and turned TNR into The Nation or The Prospect ideologically. You read TNR today and it is very similar to Nation or Prospect or the AlterNet, TruthOut, Salon or any other far-left publication that struggles just to stay in business today. Because they don’t have any advertising revenue. Because they are anti-business if not anti-private enterprise all together.

When Mike Kinsley was running TNR they were still that great center-left magazine. That had solid suspicions about big government in people’s economic and personal lives. Today’s TNR now not only supports a Scandinavian social democratic high taxed welfare state to manage people’s economic affairs for them. But backs Mike Bloomberg’s nanny state and would like to regulate how Americans can eat an drink.The New Republic might not become like The Prospect or Nation financially. Because they do have wealthy backers and are entertainment and tabloid driven with what they want to cover. So that alone might keep them in business. But The Liberal Republic is gone.

The other issue has to do with Chris Hughes himself. He’s a businessman first and comes from the OMG awesome entertainment universe and politics and current affairs is not his meat and potatoes. He goes where the money is and that is probably where TNR is headed with a few political writers left over to tell people what the far-left is thinking. And why middle class Americans are under-taxed and that the Federal Government is too small, states and local governments, as well as individuals have too much power and can’t be trusted and you need a bigger government to take care of them. Which is what you get from The Prospect, The Nation and Salon today.

Alfred Hitchcock Hour: Run For Doom (1963) Starring Diana Dors

Source:IMDB- English Muffin Diana Dors on The Alfred Hitchcock Hour in 1963.

Source:The New Democrat  

"A young doctor continues to date a beautiful showgirl in spite of warnings that her three previous marriages ended badly for her past husbands." 

From IMDB

"Dr. Don Reed falls in love with a nightclub singer named Niki Carroll despite the warnings of his seriously ill father and her ex-boyfriend who both tell him she is not good for him. Niki accepts his marriage proposal, but Don's father dies when he hears the news. The newlyweds take an exotic honeymoon cruise with the inheritance money. During the cruise, Don becomes enraged when he sees Niki kissing another man and he accidently pushes him overboard. Niki convinces Don to keep his mouth shut and since no one saw the incident he gets away with murder. Niki eventually grows tired of him. She tells him that she is going to leave him. She also wants all his money or else she will tell the police about the murder. Niki also dumps her band leader boyfriend, but instead of accepting this he strangles her. The police call Don to the scene. He examines his wife's body in the bedroom and discovers that she is still alive. Believing that the band leader is going to take the rap for murder, Don finishes her off. When he rejoins the police he is shocked to learn that the police knew that Niki was still alive. They had told the bandleader she was dead in order to calm him down. The police then inform Don that they like to finish questioning her. (TV.com)" 

Source:Amazon- Alfred Hitchcock's TV baby.

From The Hitchcock Zone 

"Diana Dors - How Long Has This Been Going On" 

Source:Ramon Batista- English Muffin Diana Dors on The Alfred Hitchcock Hour in 1963.

From Ramon Batista 

"Diana Dors - Just One Of Those Things (The Alfred Hitchcock Hour, 1963)" 

Source:Mark Moyer- English Muffin Diana Dors on The Alfred Hitchcock Hour, in 1963.

From Marc Moyer 

"Diana Dors: Just One of Those Things" 

Source:ENCORE- English Muffin Diana Dors starring on The Alfred Hitchcock Hour in 1963.

I think Run For Doom is Alfred Hitchcock at his best because you see the full-scale of what he wanted to give his audience. A suspense/thriller involving people who were not saints or angels and not devils either, but real people who tend to be somewhere in between. With clever writing and a lot of humor and the female lead being a goddess. A gorgeous ,sexy woman who is also very adorable and yet very clever and witty. Which is Diane Dors at her best, Jayne Mansfield who was also on this series and several other women who appeared on this series.

Run For Doom is about a nightclub singer with a bad history of marriages and relationships where the men in her life do not survive the relationship. And she walks away with a lot of money from the experiences.

Diana Dors plays Nikki Carroll the nightclub singer and she’s performing one night and is introduced to a young doctor. Dr. Don Reed played by John Gavin and they naturally hit it off. Reed being a doctor is probably Nikki’s main interest him, but he’s a young doctor who doesn’t have a lot of money yet.

Dr. Reed has an ailing very wealthy father and his relationship with Nikki goes well enough for him to want to marry Nikki. Reed has gotten several warnings about Nikki’s history with men and her dead husbands and is warned not to pursue her. But I guess he’s blinded by his love for a woman who doesn’t love him and decided to propose and marry her anyway.

Reed’s father dies after finding out that his son is going to marry Nikki and now Reed is a very wealthy man. And naturally Nikki looses personal interest in Reed and looks to get out of the marriage.

Nikki has something that she can blackmail her husband on: Dr. Reed accidentally killed someone on their honeymoon by pushing a man over the cruise boat that they were on. And they didn’t bother to report the incident. Nikki tells the doctor to give her his money or she’ll report the killing to the police.

Nikki also has a long-term on and off again boyfriend who wants her back. And knows what she is up to with her husband and decides to step in to get a piece of the action. And they have a physical struggle that leads to him strangling her and thinking he killed her.

To be honest with you: Diana Dors was the main reason why I’m so interested in this show. But it is a very entertaining and at times a pretty funny show as well. With Diana playing a woman that is so cunning personally and bright and yet she looks too sweet and cute to hurt, let alone kill anyone. And yet she has a history of dead boyfriends and husbands. But in this marriage she is the one who doesn’t survive the affair.

Queen Latifah: Jaclyn Smith- 'Reveals Her Ageless Beauty Secrets'

Source:Queen Latifah - Jaclyn Smith: Ageless Beauty.

"Jaclyn explained her approach to beauty is a lifestyle of healthy choices and an easy to follow routine, like her own skincare line, which she developed a collection of crèmes and lotions with clinically proven ingredients."

From Queen Latifah

The title says it all about one of the best overall looking woman of all time. Here’s a woman whose going to be 70 in October, 70 years old. A gorgeous and still baby-faced adorable red-head who if anything is actually sexier now than she was in the late 1970s when she became a star on Charlie’s Angels. Her and Raquel Welch, they seem to refuse to age. As Raquel has put it several times, looking good is her job. That is what she does and has all the motivation to look good and take care of herself, because it is how she makes her living as a businesswoman and someone with her own fashion business now. I believe Jaclyn Smith is in the same category. That looking good and fashion is her business. And the best way I think she believes she can promote that is looking as good as she possibly can herself.

There isn’t a better woman that could have coined Ageless Beauty, or could have had that term named for her better than Jaclyn Smith. She’s been in Hollywood , the entertainment business and fashion industry, for over forty years now. Before I was born I’m sure, which makes me feel a little younger and yet she still looks 10-15, maybe even twenty years younger than she actually is. Here’s a women who was born at the end of World War II which was seventy years ago and she looks better today than probably most women young enough to be her daughter. And I’m sure many women young enough to be her granddaughter as well. She’s the definition of ageless beauty and 10-15 years from now will probably still be modeling her own products, because she’ll be able to give people personal experience that they work.

This is going to sound corny, but so what, because it’s so true. You’re as young as you feel and age really is only a number. I’ve seen men and women in their late thirties and early forties who are going gray already. Men that young, going bald who look 10-15 years older than they actually are. From either drinking and smoking too much, or both, perhaps using harder drugs, not eating right, not exercising, not managing stress, etc. And I’ve seen men and women who actually are as old in years as younger people, who look as old as they actually are, who look as young as the younger people who’ve aged too fast. And why is that, because time machines haven’t been invented yet. The younger looking healthier looking people like Jackie Smith, take care of themselves. They enjoy life while actually taking care of themselves. Instead of seeing how hard they can live before they die. 

You can also see this post at The Daily Review, on Blogger.

The Economist: German-Americans: The Silent Minority

Source:The New Democrat

I think I completely agree with this article from The Economist that I just read. Which is saying something because I don’t agree with them on everything. I tend to like their information and analysis, but tend to disagree with their solutions. They are a center-right publication after all. But as a German-American myself, as the name Erik Schneider would indicate, an asteroid sized clue there, we do tend to go unnoticed as an ethnic group in America. And I’m not sure if that is because we’ve been in America so long. The eighteen-hundreds for a lot of us, or because we’ve accomplished so much as a people who is goes unnoticed.

The Speaker of the U.S. House of Representatives John Boehner, the highest ranking full-time member of Congress and that includes the Senate Pro Tempore and the Vice President of the United States, is a German-American and a proud one. And a distinct one, I mean you might as well paint the German flag on his face, he looks so German. And yet you wouldn’t know it unless you are familiar with the German people and German names and physical characteristics and so-forth. We’ve created so much for this country as far as technology, food, culture, public servants, Dwight Eisenhower for example. And yet we tend to go unnoticed as a people and perhaps get taken for granted.

When Nancy Pelosi became the first Speaker of the House in America back in 2007, she was mentioned as being the first female Speaker and Italian-American Speaker. But when John Boehner becomes Speaker four years later, nothing is mentioned about him being a German-American who also happens to be the Speaker. Same thing with Newt Gingrich back in 1995. Newt was mentioned as being the first Republican Speaker elected since 1953, but not for being a German-American. And again I think this goes to the success of our people that we are expected to do well and accomplish big things. And Americans just aren’t surprised when we do.

Sir David Frost: End Of The Year Show (1983)

Source:Noize Feeler-

Source:The New Democrat

I think Diana Dors and Denis Norden had the best two lines or really topics in this video. Where they were talking about Elizabeth Taylor saying that Liz hardly got married in 1983. And Diana adding that Liz is finally in love now. No really she’s actually in love this time. Liz Taylor was a great actress perhaps the best ever, as well as a beautiful adorable very sexy women, similar to Diana Dors. But one of the things that Liz was famous for was getting married. Why, because she got married a lot. Sort of like the heavyweight boxing champion who’s been world champion several times. But a big reason for that is because he’s lost the title several times. Well Liz Taylor lost the title of wife several times and a big reason why she was married six or seven times in her lifetime.
Source:Noize Feeler